“It was more defined and you could see the liner a bit more than you can now.
“The liners back then were a little darker on the lip,” she says. In the same vein, lips were less ’90s and decidedly more 2020s. They’re not as matte and powdery they’re more illuminating without being shiny.” In that spirit, sculpting cheeks, whether for a dewy rose or sun-kissed effect, saw a softer, more light-handed approach.“The blush isn’t as heavy as it was it’s a little more flush,” she explains, name-checking the creamy, melts-right-in formulas that were favored on set such as Tom Ford’s contour and blush duos and Patrick Ta’s Major Double-Take formula. “There are always new products out there that have shifted the look of things. “It’s funny because, again, I lived makeup then and I’m living it now too,” she explains.
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“It’s such a beautiful, creamy illuminating-without looking shiny-foundation,” says Laurence of the moisturizing, hyaluronic acid–laced formula, which offers medium- to full coverage infused with just the right amount of light-diffusing pigments. Tom Ford Shade and Illuminate Soft Radiance Foundation was one such beauty hero. And I like the fact that we weren’t trying to make them look 30.” While Parker, Nixon, and Davis all worked with their own makeup artists (Elaine Offers, Kerrie Plant Price, and Matin Maulawizada, respectively) there were a lot of widely embraced product favorites on set. “With all of these women, we’re not trying to hide age, we’re just enhancing the beauty of who they are. “For most of them, we focused a lot on the Heart Diamond Colorado Avalanche Shirt But I will love this skin,” explains Laurence of the universal emphasis on a glowing complexion on set.